|Thermophiles in Love|
When I learned that we were participating in the #NetProv Thermophiles in Love as part of our Elit group project, I was initially drawn to the idea and excited to participate. As part of a New Media Studies class, I got the chance to participate in my first #NetProv last spring. You can read my reflection on that experience here.
The premise for Thermophiles in Love is a 5-gender thermophile dating site that utilizes matchmakers, or Mesos, to "hook up" sets of four thermophiles so that they can form a quadruple. Created by Samara Hayley Steele, Cathy Podeszwa, Rob Wittig, and Mark Marino, the game seeks to serve as a "creative exploration of contemporary gender fluidity viewed through a microscopic collaborative narrative".
I did a quick Google search and found myself on the Wikipedia page for Thermophile. Here I also read about Facultative thermophiles and discovered that they are considered "moderate" because they can survive at both high and lower temperatures.
Leaving all of that "science-y" information behind, I moved forward in the #NetProv. In creating a profile, I tried to picture someone who would be comfortable in many different situations. Based on the suggested occupations for my gender, I also imagined my thermophile as an adventurer. @fac_Sulfie was born:
Reflecting now on my participation with this #NetProv, I think that the subject made me feel a little distanced and reserved. I never felt truly comfortable and held back from participating in the way that I saw some other users interacting within the game. I will start by saying that I am not a science person (I know, I know... you didn't have to be a science person to play the game...). I just felt a certain level of distance from the subject matter (I am also not a dating site person) and could not immerse myself comfortably. Constantly running through my mind was the fear, "Am I doing this right? Am I thinking about this/ approaching this all wrong?" It was a road-block of sorts.
I also felt that a user's level of interaction was sometimes limited by that of other users. For example, I was grouped with four other participants for "The Warm-Up Date" and "The Big Date", but I was the only person who posted in our forums. I could see that others were viewing the forums, but no one posted anything. No posts = no exchanges.
Finally, I felt that the strict timeline for participation was a hindrance. This was likely a contributing factor in the lack of participation from my group. As a creative writer, I often feel that I need to write organically and not to a timeline.
This #NetProv experience certainly made me think more deeply about the ways in which people interact in digital public spaces. There is a certain level of freedom that comes with anonymity. Some users were really able to jump into their character and let loose. I also believe that there is a different type of interaction and a different comfort level that occurs in small group interactions versus large forum participation. I think that some people may have felt more comfortable posting in the larger forums, while I felt the opposite.
By participating in this experience, I also thought more critically about collaborative writing and imagining. I felt unsure and a bit confused about my participation as my character. This feeling of disorientation with the subject matter made me pull back and feel hesitant.
Finally, this adds a new level of understanding to my own research about online collaboration and participation within fan communities. I think that a certain level of comfort and understanding of the subject matter leads to more successful collective imagining. I also think that even in a anonymous setting, there needs to be a certain level of trust: you need to trust yourself and your comprehension of the experience, and you also need to trust others not to judge you and your mode of participation to harshly.